Poetry commentary the wild swans at
New York: Monarch P, Unlike the swans that appear to be eternal, the poet realizes that he is not and that his end is near.
The wild swans at coole symbolism
In the second stanza the poet tells how it has been nineteen years since he first visited Coole Park. Cowell, Raymond. When they flew away above his head joyously, the whole air was filled with the music of their wings. He contrasts the swans as a species with himself as an individual. One can imagine the gorgeous colors of the leaves before they fall, and see the twilight reflecting off the water, where there are fifty nine swans swimming. The word archetype has its root in ancient Greece. Nature is prone to change; because of its temporal, fluctuating quality, nature cannot thoroughly reflect the boundless ethereal beauty that the poet now aspires to emulate. Richard J. Nature stands as a perfect mimetic relationship; the stillness of the heavens—their eternality—is echoed in the water that appears to reflect its timelessness unproblematically. Related Papers. Nor does the information conveyed by the deferral seem to justify the force of its intrusion; it repeats the scene already described in stanza two, adding only that it too occurred at twilight. Yeats Poetry and Plays.
Younis is correct to emphasize that the swans are themselves a part of these temporal changes, but there is a balance to be struck nevertheless; the number of the swans is very likely chosen as a reference to such fairy imagery, but this allusion is juxtaposed with the fact of their location in the temporal world.
While the swans seem to change not at all, the speaker admits he has changed in every way.
In the first line of the opening stanza, the poet draws upon the creative cycle of evolution, the eternal chain of events, which is birth, life, death, and rebirth. The beautiful image does not preexist the poet, but rather it is through his own labor that the changing nature of the October twilight and the fleeting swans are raised up to eternity in the creation of the poetic object.
Perhaps it because there seems to be such a sharp contrast between the swans and himself. Their passion, energy, desire for success and beauty will last.
The wild swans at coole analysis line by line
He feels bitter and sad at the fact that he now cannot enjoy the sight as he had done in his youth. New Delhi: Atlantic Publishers and Distributors, Without interjecting himself—the aging poet—into the contemplation of the eternal glimpsed through the swans, an infrangible gulf remains between his reality and his ideal. Still, the poem has hit a snag. Aware of predetermined dynamism of symbols and images, he draws them from nature, Irish folklore and mythology to illuminate his sense of the plight of the modern artist exposed to the tragedy of the collapse of modern civilization due to extreme and unexpected brutality of the First World War. The result is a braid the dazzle of which obscures how little information is actually conveyed. Daiches, David. Glancy, Ruth. Immediately, the passivity is broken. Yeats THE trees are in their autumn beauty, The woodland paths are dry, Under the October twilight the water Mirrors a still sky; Upon the brimming water among the stones Are nine-and-fifty Swans.
Twilight comes in-between day and night and in a sense, the poet has come upon the twilight of his life, and is waiting for night death to come. Gilbert, Sandra. By virtue of the mythic symbol of the tree, the poet, then, seems to hint at the possibility that human immortality can be achieved through union of divinity and humanity.
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